Documenting oral histories of Partition collaboratively across a communal divide

photo of Guneeta Singh Bhalla

Documenting oral histories of Partition collaboratively across a communal divide

Tuesday, 25 April 2023 - 2:00pm
Venue: 
Syndicate Room
Speaker(s): 
Guneeta Singh Bhalla (Partition Archive, India)
Chair: 
Anwesha Roy
Convenor: 
Thiruni Kelegama
Series: 
South Asia Seminar

In this Modern South Asian Seminar talk, I will discuss recent interventions made by The 1947 Partition Archive in documenting a significant yet much-silenced moment in history through the invention of crowdsourcing techniques that exploit modern communications technologies.  I will demonstrate how our platform has enabled documentation of the 1947 Partition of India and Pakistan at a global scale in a short amount of time, while democratizing the preservation of historical memory. The year 1947 marked the end of the British rule in South Asia, and the births of two new nations, India and Pakistan.  Independence entailed partitioning the provinces of Bengal and Punjab within British India. The Partition led to overnight loss of homes (at least 14 million), massive outbreak of sectarian and sexual violences in local communities, and deaths of common civilians (estimated at over 1 million) across both sides of the India-Pakistan border. Recent scholars of Partition studies as well as South Asian cultural practitioners have compared the Partition to the Jewish Holocaust in Europe.  Yet, prior to the present effort, there existed not a single memorial or public archive for preserving the witness memories of the Partition.  While pioneering work inspired by witness narratives has informed the field of Partition Studies (Butalia, Menon et al), there was, prior to this effort, no publicly accessible archive on oral histories of Partition, and no effort to record across the subcontinent in India, Pakistan, Bangladesh at the scale at which The 1947 Partition Archive is doing. The 1947 Partition Archive’s invention of a crowdsourcing protocol for recording and digitally preserving the witness testimonies (on video and occasionally audio) enables the representation of voices from diverse ethnic, religious, and economic communities in the South Asian region and diasporas. 

Dr. Guneeta Singh Bhalla is founder of The 1947 Partition Archive, an organization that documents oral histories from survivors of India and Pakistan's 1947 Partition, also known as the world's largest mass refugee crisis. After a 2008 visit to the oral testimony archives at the Hiroshima Peace Memorial she was inspired and began interviewing Partition witnesses in 2009. It was a deeply enriching experience and she wanted to make the art of oral history accessible to everyone. She was also troubled with the realization that the generation of eye witnesses was nearly gone and taking their lore with them. This led to the concept of crowdsourcing oral histories of Partition, which included teaching and encouraging the public in recording the people’s history of the world’s largest mass human displacement. She gathered a team and began training individuals from all walks to record oral histories in 2010. In 2011 The 1947 Partition Archive was born and has through today documented over 10,000 Partition witnesses accounts. Guneeta is passionate about telling history from the ground up, and empowering everyone to tell their story. Guneeta believes that our true collective history is diverse and made up of the lived experiences of everyone who has ever existed, and is thus devoting her life to raise the curtain on unheard voices from some of the most marginalized and underrepresented communities. Previously, she was an experimental condensed matter physicist who completed her tenure as a post-doctoral researcher at the Lawrence Berkeley National Laboratory and the Department of Physics at the University of California at Berkeley. She devised experiments to probe quantum confinement at interfaces that include oxide heterostructures and domain walls in multiferroics. Underneath it all, she is a visual artist who won numerous awards for her works through her school days and college, before diverting her creative skills to the hard sciences, and now, oral history.